L S 05/09/2026 L S 05/09/2026

WHO by Wil Aime, permission to criticize the "Black man's art"

L S 29/08/2026 L S 29/08/2026

WHO by Wil Aime, Caribbean representation challenges

L S 22/08/2026 L S 22/08/2026

WHO by Wil Aime, a Karukerament perspective on the marketing strategy [1/3]

L S 12/02/2025 L S 12/02/2025

Representing Caribbean Carnival in cinema

L S 09/02/2025 L S 09/02/2025

Documenting Guadeloupe & Martinique Mas

L S 12/09/2022 L S 12/09/2022

Karukera One Love Festival or a stormy Karibbean rendezvous

L S 07/01/2020 L S 07/01/2020

[English review] "Eugénie Grandit", a step toward diasporic afrofuturism ?

Sunny Lady 25/08/2019 Sunny Lady 25/08/2019

[English version] An open letter to Doris from "They Had A Dream"

Sunny Lady 31/07/2019 Sunny Lady 31/07/2019

[English review] "Zétwal", a Caribbean afrofuturistic experience

Sunny Lady 07/05/2018 Sunny Lady 07/05/2018

[English review] "Kafou" by Bruno Mourral

Sunny Lady 18/04/2018 Sunny Lady 18/04/2018

[English review] "Dreaming Whilst Black"

Sunny Lady 09/04/2018 Sunny Lady 09/04/2018

[English review] "They Had A Dream" ou Le Rêve français

Sunny Lady 22/02/2018 Sunny Lady 22/02/2018

[English review] "After Mas"

L S 03/11/2017 L S 03/11/2017

[English review] The King of the dancehall

Sunny Lady 23/10/2017 Sunny Lady 23/10/2017

[English version] "Caribbean Girl NYC"

Sunny Lady 15/10/2017 Sunny Lady 15/10/2017

[English review] Ô Madiana by Constant Gros-Dubois

Sunny Lady 09/07/2017 Sunny Lady 09/07/2017

[English review] The Lady of Percussion

Sunny Lady 07/05/2017 Sunny Lady 07/05/2017

[English Review] Chattabox, enter a Caribbean chat